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      <image:title>DENA SHOTTENKIRK</image:title>
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      <image:title>DENA SHOTTENKIRK - Make it stand out</image:title>
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      <image:title>DENA SHOTTENKIRK - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>CENSORSHIP PROJECT</image:title>
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      <image:title>CENSORSHIP PROJECT</image:title>
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      <image:title>CENSORSHIP PROJECT</image:title>
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    <lastmod>2017-01-18</lastmod>
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    <loc>https://www.denashottenkirk.org/nelson-goodman-project</loc>
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    <lastmod>2017-05-22</lastmod>
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      <image:title>NELSON GOODMAN PROJECT</image:title>
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      <image:title>NELSON GOODMAN PROJECT</image:title>
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      <image:title>NELSON GOODMAN PROJECT</image:title>
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      <image:title>Censorship - Artwork</image:title>
      <image:caption>PENSIVE</image:caption>
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      <image:title>Censorship - Artwork</image:title>
      <image:caption>ANGER</image:caption>
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      <image:title>Censorship - Artwork</image:title>
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      <image:title>Censorship - Artwork</image:title>
      <image:caption>DESTRUCTION OF ARTIFACTS</image:caption>
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    <lastmod>2016-12-21</lastmod>
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      <image:title>Nelson Goodman - Artwork</image:title>
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      <image:title>Nelson Goodman - Artwork</image:title>
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      <image:title>Nelson Goodman - Artwork</image:title>
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      <image:title>Nelson Goodman - Artwork</image:title>
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      <image:title>Nelson Goodman - Artwork</image:title>
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      <image:title>Nelson Goodman - Artwork</image:title>
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      <image:title>Nelson Goodman - Artwork</image:title>
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    <image:image>
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      <image:title>Nelson Goodman - Artwork</image:title>
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    <image:image>
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      <image:title>Nelson Goodman - Artwork</image:title>
      <image:caption>Column 3, Row 8</image:caption>
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  <url>
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    <lastmod>2017-01-11</lastmod>
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      <image:title>Censorship - Writing</image:title>
      <image:caption>Click here to go to publisher page</image:caption>
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  <url>
    <loc>https://www.denashottenkirk.org/nelson-goodman-writing</loc>
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    <lastmod>2017-01-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1483328026994-WUDJPWRDXX81AU4E7DK8/9781402099304.jpg</image:loc>
      <image:title>Nelson Goodman - Writing</image:title>
      <image:caption>Click to go to publisher page</image:caption>
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  <url>
    <loc>https://www.denashottenkirk.org/new-page-5</loc>
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    <lastmod>2017-06-27</lastmod>
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      <image:title>Documentary</image:title>
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      <image:title>Documentary</image:title>
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  <url>
    <loc>https://www.denashottenkirk.org/censorship-events-public</loc>
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    <priority>0.75</priority>
    <lastmod>2017-02-20</lastmod>
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      <image:title>Censorship - Events - Public - POPc at Cipriani Bar, Grand Central Terminal, Manhattan</image:title>
      <image:caption>(click to hear the conversation)</image:caption>
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    <image:image>
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      <image:title>Censorship - Events - Public - POPc at Cipriani Bar, Grand Central Terminal, Manhattan</image:title>
      <image:caption>(click to hear the conversation)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1491159533706-PCTOHG2W9Z5MI9Q8YLQD/IMG_2584.JPG</image:loc>
      <image:title>Censorship - Events - Public - POPc at Cipriani Bar, Grand Central Terminal, Manhattan</image:title>
      <image:caption>(click to hear the conversation)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
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      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
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      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
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      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
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      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
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      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
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      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
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      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
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      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
      <image:caption>POPc Participant Melissa (click to read the POPc Forum Follow-up)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1484704695694-UZGZLBPDBJ5SW7GDFR9P/IMG_0895.jpg</image:loc>
      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
      <image:caption>POPc Participant Richard (click to read the POPc Forum Follow-up)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1484704695761-9Q0HRVCOOODCO8SAJZYT/IMG_0900.jpg</image:loc>
      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
      <image:caption>POPc Participant Richard (click to read the POPc Forum Follow-up)</image:caption>
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      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
      <image:caption>Resident Philosophers Jonathan Kwan and Dena Shottenkirk discuss the epistemic role of speech</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1485468033247-5PAV2LFD457LD2WB4FPT/Picture3.jpg</image:loc>
      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
      <image:caption>Resident Philosophers Jonathan Kwan and Dena Shottenkirk discuss the epistemic role of speech</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1485468188010-VQR0ZRQCDFVOME2XTVXO/Picture4.jpg</image:loc>
      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
      <image:caption>POPc Participant Arliss joins Resident Philosophers Dena Shottenkirk and Jonathan Kwan</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1485468188287-RPZK6M8C3EF1C42C3NYF/Picture5.jpg</image:loc>
      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
      <image:caption>POPc Participant Arliss joins Resident Philosophers Dena Shottenkirk and Jonathan Kwan</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1485468189243-D5ULJMGBBHSA8I2X6ZBN/Picture6.jpg</image:loc>
      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
      <image:caption>POPc Participant Arliss joins Resident Philosophers Dena Shottenkirk and Jonathan Kwan</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486672449005-MYPXOW8H1O7IQEZMPW93/Copy+of+Richard5.JPG</image:loc>
      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
      <image:caption>POPc Participant Richard (click to read the POPc Forum Follow-up)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486672450216-LQKCA24RVBO982SZ53RO/Copy+of+Scene.jpg</image:loc>
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      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
      <image:caption>POPc Participant Malak (click to read the POPc Forum Follow-up)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486672454150-DD0YWWPDJVG4MGPMQ1Z3/Malak5.jpg</image:loc>
      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
      <image:caption>POPc Participant Malak (click to read the POPc Forum Follow-up)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486672454253-7E92XFSKGD09RXDD72J0/Malak6.jpg</image:loc>
      <image:title>Censorship - Events - Public - POPc at FlowersForAllOccasions, BKLYN</image:title>
      <image:caption>POPc Participant Malak (click to read the POPc Forum Follow-up)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486672454563-B74FIOLHZJGANHH255N9/Pessy2.JPG</image:loc>
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      <image:title>Censorship - Events - Public - POPc End of Summer Party Croquet at Brooklyn Bridge Park August 2016</image:title>
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      <image:title>Censorship - Events - Public - POPc End of Summer Party Croquet at Brooklyn Bridge Park August 2016</image:title>
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      <image:title>Censorship - Events - Public - POPc End of Summer Party Croquet at Brooklyn Bridge Park August 2016</image:title>
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      <image:title>Censorship - Events - Public - POPc End of Summer Party Croquet at Brooklyn Bridge Park August 2016</image:title>
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      <image:title>Censorship - Events - Public - POPc End of Summer Party Croquet at Brooklyn Bridge Park August 2016</image:title>
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      <image:title>Censorship - Events - Public - POPc End of Summer Party Croquet at Brooklyn Bridge Park August 2016</image:title>
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  </url>
  <url>
    <loc>https://www.denashottenkirk.org/events-nelson-goodman</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-02-20</lastmod>
    <image:image>
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      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
      <image:caption>Shottenkirk with POPc Participant LucyPOPc Participant Semi (click to read the POPc Forum Follow-up)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1484703742124-PLI2IGVI4ECPOISRFHN9/2016-05-22%285%29.jpg</image:loc>
      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
      <image:caption>Shottenkirk with POPc Participant Lucy (click to read the POPc Forum Follow-up)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486668480387-ZHTGYX7G2O89A34EGL5G/IMG_9403.jpeg</image:loc>
      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
      <image:caption>Shottenkirk with POPc Participant Lucy (click to read the POPc Forum Follow-up)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
      <image:caption>Shottenkirk with POPc Participant Lucy (click to read the POPc Forum Follow-up)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
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      <image:title>Events - Nelson Goodman - Goawnus, BKLYN</image:title>
      <image:caption>Gowanus rooftop on which the first POPc event was held.  Participating Resident Philosophers were: Jamie Lindsey, Rachel McKinney, James DiGiovanna, and Patrick Martin-Breen.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Events - Nelson Goodman - Gowanus, BKLYN</image:title>
      <image:caption>Gowanus rooftop on which the first POPc event was held.  Participating Resident Philosophers were: Jamie Lindsey, Rachel McKinney, James DiGiovanna, and Patrick Martin-Breen.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
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      <image:title>Events - Nelson Goodman - POPc at FlowersForAllOccasions, BKLYN</image:title>
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      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
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      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
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      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
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      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486160392643-YWMODJRAN4LQ5QOZEH93/Pendoley_Emeka2.jpeg</image:loc>
      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486160393548-B0HW7LDWKJAACQAR3W9L/Pendoley2_Shottenkirk.jpeg</image:loc>
      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
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      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
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      <image:title>Events - Nelson Goodman - POPc in Gowanus, BKLYN</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1485466430047-VNPZUVOA9268HJFYW8IB/IMGA0118.JPG</image:loc>
      <image:title>Events - Nelson Goodman - POPc in Gowanus, BKLYN</image:title>
      <image:caption>Resident philosopher Rachael McKinney</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1485466430113-MQX3R6H56OBIV4ESQH41/IMGA0121.JPG</image:loc>
      <image:title>Events - Nelson Goodman - POPc in Gowanus, BKLYN</image:title>
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      <image:title>Events - Nelson Goodman - POPc in Gowanus, BKLYN</image:title>
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      <image:title>Events - Nelson Goodman - POPc in Gowanus, BKLYN</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1485466431020-9THNJXWXWQ0QZ4UGE6AI/IMGA0127.JPG</image:loc>
      <image:title>Events - Nelson Goodman - POPc in Gowanus, BKLYN</image:title>
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      <image:title>Events - Nelson Goodman - POPc in Gowanus, BKLYN</image:title>
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      <image:title>Events - Nelson Goodman - POPc in Gowanus, BKLYN</image:title>
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      <image:title>Events - Nelson Goodman - POPc in Gowanus, BKLYN</image:title>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486160395680-LUYUEJRL8X1Z7PUBS7ZB/Pendoley4_Shottenkirk.jpeg</image:loc>
      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486160400454-2W67S9EFZ36FMM1KXIMI/PendoleyExplaining.jpeg</image:loc>
      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486160401247-9Y743JL4ZL53O8H9J2NW/PendoleyLaughing2.jpeg</image:loc>
      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486160402144-GYJTSAU8W50CSL7VMT8W/PendoleyListening.jpeg</image:loc>
      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486160402147-JJGREKC7M8C7JBP19HUF/PendoleyThought.jpeg</image:loc>
      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486160403384-Y52VQ41UDGJ0W927JEFA/POPc+Participants+Monica+_+Arliss.jpeg</image:loc>
      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486160408658-5HKXXQEMLVI5RHDA3MB7/TheReward.jpeg</image:loc>
      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486175291586-PO0WZQH222XQT6R6BNAA/Noel+Carroll.png</image:loc>
      <image:title>Events - Nelson Goodman - NG Exhibition Philly University of the Arts Gallery: performative/conversation</image:title>
      <image:caption>Resident Philosopher Nöel Carroll</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486667789377-J4ZF1OS4OL70UEVPD5H3/Picture16.jpg</image:loc>
      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
      <image:caption>Resident Philosopher Shottenkirk with POPc participants Arliss and William Cheung (click to read the POPc Forum Follow-up)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486667789384-GUD7XR5SETRN6XSWTNPM/Picture17.jpg</image:loc>
      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
      <image:caption>Resident Philosopher Shottenkirk with POPc participants Arliss and William Cheung(click to read the POPc Forum Follow-up)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486667834787-9LD2IJ3OX25L6IA9T4LJ/Picture14.jpg</image:loc>
      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
      <image:caption>Resident Philosopher Shottenkirk with POPc participants Arliss and William Cheung (click to read the POPc Forum Follow-up)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1486668203583-ZX03HB9YMRB3771WBR0G/IMG_0300.JPG</image:loc>
      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
      <image:caption>Resident Philosopher Kate Pendoley with POPc participant William (click to read the POPc Forum Follow-up)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Events - Nelson Goodman - POPc at the Cobra Club, BKLYN</image:title>
      <image:caption>Resident Philosopher Adam See with POPc participant Alisa (click to read the POPc Forum Follow-up)</image:caption>
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    <image:image>
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      <image:title>Events - Nelson Goodman - POPc at the Cobra Club, BKLYN</image:title>
      <image:caption>Resident Philosopher Adam See with POPc participant Alisa (click to read the POPc Forum Follow-up)</image:caption>
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    <image:image>
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      <image:title>Events - Nelson Goodman - POPc at the Cobra Club, BKLYN</image:title>
      <image:caption>Resident Philosopher Adam See displaying POPc coat that has printed answers to philosophical problems on the inside lining. (click to read the POPc Forum Follow-up)</image:caption>
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      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
      <image:caption>Resident Philosopher Shottenkirk with POPc participant Thanddnes (click to read the POPc Forum Follow-up)</image:caption>
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    <image:image>
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      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
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      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
      <image:caption>Resident Philosopher Shottenkirk with POPc participant Thanddnes (click to read the POPc Forum Follow-up)</image:caption>
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      <image:title>Events - Nelson Goodman - POPc at HappyFunHideaway, BKLYN</image:title>
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    <image:image>
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      <image:caption>GIOTTO di Bondone (b. 1267, Vespignano, d. 1337, Firenze) No. 12 Scenes from the Life of the Virgin: 6. Wedding Procession c. 1304-06 Fresco 200 x 185 cm. Cappella Scrovegni (Arena Chapel), Padua</image:caption>
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      <image:caption>1987 oil, wood, plexiglass, handle 18 x 18 x 4 in.</image:caption>
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      <image:caption>1989 oil and encaustic with wire and charcoal 5 x 5 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633976519085-Q10A6K5QSA03TVJRABIV/FleetingMoment%25281988%252912%252522x12%252522OilOnCanvasWithPlexiglassShelf.jpg</image:loc>
      <image:title>Works - Fleeting Moment</image:title>
      <image:caption>1988 oil on canvas with plexiglass shelf 12 x 12 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633976676496-8NI96RMO4BSS0V32SCZR/ForAlltheNazis%25281987%25296%2527x6%2527GoldleafAndOilOnCanvas.jpg</image:loc>
      <image:title>Works - For All the Nazis</image:title>
      <image:caption>1987 Gold Leaf and Oil on Canvas 6 x 6 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633977051114-HSB9E7S3KQOX037ZSEXK/HingePrinciple%25281987%252924%252522x24%252522x2%252522GoldleafOilWoodHandleHinge.jpg</image:loc>
      <image:title>Works - Hinge Principle</image:title>
      <image:caption>1987 Gold leaf, oil on wood, handle, hinge 24 x 24 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633975070812-CJ7S9TZB31X0ASKLLCDC/HingePrinciple%281987%29reverse24%2522x24%2522x2%2522GoldleafOilWoodHandleHinge.jpg</image:loc>
      <image:title>Works - Hinge Principle (verso)</image:title>
      <image:caption>1987 gold leaf and oil on wood, handle, hinge 24 x 24 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633977710320-5O0YBO8A8CYYEUR30CRJ/Icon%25281988%2529shelf37%252522x20%252522VelvetPlexiglassGoldleaf.jpg</image:loc>
      <image:title>Works - Icon</image:title>
      <image:caption>1988 shelf, velvet, plexiglass, gold leaf 37 x 20 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633975108331-PBB5N640BNN3YT2DCBNG/Jig-saw%281988%2912%2522x8%2522x2%2522GoldleafWoodPlexiglass.jpg</image:loc>
      <image:title>Works - Jig saw</image:title>
      <image:caption>1988 wood, gold leaf, plexiglass 12 x 8 x 2 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633977936702-0D9M2O8V3FT5WD7K2HY4/Lazarus%25281986%25296%2527x3%2527OilOnCanvasPlexiglass.jpg</image:loc>
      <image:title>Works - Lazarus</image:title>
      <image:caption>1986 oil on canvas, plexiglass 6 x 3 ft.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633978064563-PVXZJ0YCNRE80Y5LSD6E/MemoryDupe%25281989%25293%2527x6%2527with3%2527shelfEncausticAndOil.jpg</image:loc>
      <image:title>Works - Memory Dupe</image:title>
      <image:caption>1989 encaustic and oil, shelf 3 x 6 ft.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633978323556-QR8JAKPJUY61LYTTDECT/insert.jpg</image:loc>
      <image:title>Works - Musician</image:title>
      <image:caption>c. 1989 oil and gold leaf on canvas 18 x 18 in. collection of William Bartman</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633978559154-ZJUKSEP6MS1E58N9CBLF/Pandora%252527sBox%2525281988%2525295%252527x8%252527OilOnCanvasAndWoodWithPlexiglass.jpg</image:loc>
      <image:title>Works - Pandora's Box</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633979164954-G18VD03UBKPIQ1TTHZQ7/Pandora%252527sBox%2525281988%252529detail5%252527x8%252527OilWoodPlexiglass.jpg</image:loc>
      <image:title>Works - Pandora's Box (detail)</image:title>
      <image:caption>1988 oil, wood, plexiglass 5 x 8 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633975317378-QTGUEWG3E8MQ1EBQZNOI/img188.jpg</image:loc>
      <image:title>Works - Perception</image:title>
      <image:caption>c. 1989 oil on canvas 6 x 3 ft.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633978924296-S9Y9JVNODY4SCVCB7TO3/SliceofMind%2525281988%2525294%252527x2%252527x4%25252522PlexiglassWoodGoldleafOil.jpg</image:loc>
      <image:title>Works - Slice of Mind</image:title>
      <image:caption>1988 Plexiglass, wood, gold leaf, oil 4 x 2 x 4 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633979629538-G8K3KLLW32B9EQKJYIW8/ThePolitics%2525281986%2525296%252527x6%252527OilOnCanvasPlexiglass.jpg</image:loc>
      <image:title>Works - The Politics</image:title>
      <image:caption>1986 oil on canvas, plexiglass 6 x 6 ft.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633979734490-V4XQW8G8F53GR8QNKNJ6/ThreeVersions%2525281989%2525295%252527x5%252527OilFabric.jpg</image:loc>
      <image:title>Works - Three Versions</image:title>
      <image:caption>1989 oil on fabric 5 x 5 ft.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633979841869-SXLMB2IACUVL4OOOLN3E/ThreeVersions%25281989%2529Detail5%2527x5%2527OilAndFabric.jpg</image:loc>
      <image:title>Works - Three Versions (detail)</image:title>
      <image:caption>1989 oil and fabric 5 x 5 ft.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633980034437-JC1935B4VQ0HQYRGWZEP/ToEditAndForget%25281988%252912%252522x12%252522WoodOilPlexiglassCollectionofLeslieTonkonow.jpg</image:loc>
      <image:title>Works - To Edit and Forget</image:title>
      <image:caption>1988 wood, oil, plexiglass 12 x 12 in. collection of Leslie Tonkonow</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633980227396-H0OV7FXNNXI6J8IBK17J/Trashcan%2525281988%2525296%252527x6%252527x3%25252522canvasGoldleafOilPlexiglass.jpg</image:loc>
      <image:title>Works - Trash Can</image:title>
      <image:caption>1988 6 x 6 x 3 in. canvas, gold leaf oil, plexiglass</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633980185286-QZLBFQMUBMT4CXGQTQ0G/img186.jpg</image:loc>
      <image:title>Works - The Ontology</image:title>
      <image:caption>c. 1989 oil on canvases with gold leaf 2 pc. e. 3 x 3 ft.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633981395403-4UE0CGTJYR3PD5HXQ8OQ/Certainty%2525281999%25252924%25252522x24%25252522x3%25252522OilAndGoldOnCanvasCollectionofDr.WilliamNye.jpg</image:loc>
      <image:title>Works - Certainty</image:title>
      <image:caption>1999 oil and gold leaf on canvas 24 x 24 x 3 in. collection of William Nye</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633981298070-CEPF9A5PIIGDV5NE0JGP/Certainty%25281999%2529Detail.jpg</image:loc>
      <image:title>Works - Certainty (detail)</image:title>
      <image:caption>1999 oil and gold leaf on canvas 24 x 24 x 3 in. collection of William Nye</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633981833485-ZUJ1BP9U2QNZHU8DL7NX/Esse%2Best%2Bpercipi%25281996%2529Wood17x10x12CopperGoldLeafWoodOilpaint.jpg</image:loc>
      <image:title>Works - Esse est percipi</image:title>
      <image:caption>1996 wood, copper, gold leaf, oil paint 17 x 10 x 12 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633981672391-3M6E1NR9UFFDA7C3PRS2/Esse%2Best%2Bpercipi%2528detail%2529.jpg</image:loc>
      <image:title>Works - Esse est percipi (detail)</image:title>
      <image:caption>1996 wood, copper, gold leaf, oil paint 17 x 10 x 12 in</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633982136723-I131SH3JDOWPEYJDJTNG/FallaciousReasoning%25281990%2529%2B8%252522x93%253A4%252522x6%252522OilonWoodInsidePlexiglass.jpg</image:loc>
      <image:title>Works - Fallacious Reasoning</image:title>
      <image:caption>1990 oil on wood inside plexiglass 8 x 9 3/4 x 6 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633982217491-C42F2X5ESK2IR9F4YH4V/IconsIdeas%25281999%252912%252522x6%252522x6%252522PaperWoodXerox.jpg</image:loc>
      <image:title>Works - Icons Ideas</image:title>
      <image:caption>1999 paper, wood, xerox 12 x 6 x 6 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633982298554-AXDHU5WN8JVR5G3CC70W/Indeterminancy%25281999%252924%252522.jpg</image:loc>
      <image:title>Works - Indeterminancy</image:title>
      <image:caption>1999 oil and gold leaf on canvas 24 x 24 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633982416618-JUDRPRXM17JWADDY4OHH/Indeterminancy%25281999%2529Detail.jpg</image:loc>
      <image:title>Works - Indeterminacy (detail)</image:title>
      <image:caption>1999 oil and gold leaf on canvas 24 x 24 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633981573503-EU081FSIF8H1EQYNCQIU/NoPlato%25281990%252912%252522x12%252522OilCollectionofDonBrownstein.jpg</image:loc>
      <image:title>Works - No Plato</image:title>
      <image:caption>1990 oil on canvas 12 x 12 in. collection of Don Brownstein</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633982579920-RVA8W74ZNN8YFGQKSVKF/Schema%2525281%252529%2525281994%25252914%25252522x14%25252522x23%25253A4%25252522WaxandPaintOnWood%252Bcopy.jpg</image:loc>
      <image:title>Works - Schema</image:title>
      <image:caption>1994 wax and paint on wood 14 x 14 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633982595789-J2ZPJE71GRP1U54OH620/Schema%25281%2529%25281994%252914%252522x14%252522x23%253A4%252522WaxandPaintOnWood.jpg</image:loc>
      <image:title>Works - Schema (alternate view)</image:title>
      <image:caption>1994 wax and paint on wood 14 x 14 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1633982668079-USMR8DAP62L2SBEZSYDK/EditedVersion%252525281990%2525252918%2525252522x116%2525252522x3%2525252522OilOnCanvasGoldLeafOnWood.jpg</image:loc>
      <image:title>Works - Edited Version</image:title>
      <image:caption>1990 oil on canvas, gold leaf on wood 18 x 116 x 3 in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1636318667071-68LHK93O5E3O7A6XY3MB/Dena-032508+0009.jpg</image:loc>
      <image:title>Works - Epistemology</image:title>
      <image:caption>2008 pastel and gold leaf on paper 22 x 30 in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1636318667292-CM1VMVKE9F57S0YU7T75/Dena-032508+0010.jpg</image:loc>
      <image:title>Works - Schemata</image:title>
      <image:caption>2007 pastel and graphite on paper 22 x 30 in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1636318667728-00ELPWYQ6FT1M70IN4YW/Dena-032508+0011.jpg</image:loc>
      <image:title>Works - Generality, Beauty</image:title>
      <image:caption>2007 pastel and graphite on paper 22 x 30 in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1636318676626-9I3MW9BLEXLEMUPBPJRG/YD4F7607.jpg</image:loc>
      <image:title>Works - Versions, Countdown</image:title>
      <image:caption>2007 pastel graphite on paper 22 x 30 in. “Aesthetics has always been the poor cousin in philosophy. While idealist theories have a nice home set aside for aesthetics, empirical theories of knowledge do not include the aesthetic experience within their purview. The exclusion of aesthetics from the world of knowledge is based on the argument that the aesthetic experience, since it is intentional and subjective and hence not based on the structure of repeatable logical laws, it cannot, thus, give truth, nor can it give knowledge. (Hence, that problematic Kantian distinction between knowledge and judgement.) If truth conditions are established syntactically through the rules which govern variables, logical constants, and rule of replacement, then aesthetics has no role to play in the discovery of truth. A syntactical system becomes a semantic one when necessary and sufficient conditions are given.”</image:caption>
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      <image:title>Works - Epistemological Rigor Mortis</image:title>
      <image:caption>2006 pastel and graphite on paper 22 x 30 in.</image:caption>
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      <image:title>Works - Identity</image:title>
      <image:caption>2006 pastel and graphite on paper 22 x 30 in. Collection of Dr. Debra Munzcek</image:caption>
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      <image:title>Works - Memling Revisited</image:title>
      <image:caption>2006 pastel and graphite on paper 22 x 30 in.</image:caption>
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      <image:title>Works - Logical Universals</image:title>
      <image:caption>2006 pastel and graphite on paper 22 x 30 in. “The referential and semantic account gives an analysis of the ways that words refer in the world. In this account, all understanding is accomplished by tracing a symbol back to that to which it is referred and once the circumscriptive correlation is complete so is the understanding. Symbols functions as samples, when they refer to labels, but nothing comes ** labeled. There is no given, there is no innocent eye. “</image:caption>
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      <image:title>Works - Flatus Vocis I</image:title>
      <image:caption>Flatus Vocis I 2006-8 oil, wood, paper, hinge 8 x 12 x 2 in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1631120248286-3RHR71Y8OGFLCAEE3EHV/insideCogitoBox+FlausVocis%28I%29+18%2522x12%2522x2%2522+2006-08.jpg</image:loc>
      <image:title>Works - Flatus Vocis I (interior)</image:title>
      <image:caption>Flatus Vocis I 2006-8 oil, wood, paper, hinge 8” x 12” x 2” TEXT: “METAPHYSICS + SOUNDS = MUSIC  The discipline of aesthetics has traditionally been involved in answering such questions as “What is beauty?”  But is beauty synonymous with art?  Not at all.   Indeed, some art expresses beauty (think of all the nudes – but maybe that’s not beauty per se,  just desire and sexuality; how to separate them is another matter), but other art (sometimes even the same work of art) expresses horror, boredom, transcendence, violence, repetition, instability, confusion, tenderness, brutality, etc., etc., etc. How can this multitude of meaning all be swallowed up by something as generalized and vague as “beauty”?            When we look at a work of art and say “Oh, that’s beautiful” do we mean the same thing as when we look at a handsome young man and say “Oh, he’s beautiful”?  Or maybe when we use that adverb with art it is a substitute for “astounding” or something like that.  It could be a mere place-holder that stands for an aesthetic experience that pushes one into a space where one hadn’t previously inhabited: a new moment that, in its unfamiliarity, is astounding.  And we use the word “beautiful” because we are awed and we don’t know how to put it into words.            Words mean different things in different contexts and we mustn’t assume synonymy when there is none.            So, it is easy to see that equating art with beauty is just the bland platitude of the fake philosopher.  No work got done with that grandiose yet vacuous pronouncement; it is a claim fit more for a politician than for a thinker.            And we should challenge ourselves to greater and more rigorous heights.  For example, we should face the following difficult fact.  How art comes to translate meaning from the inert object to the viewer is much more complex and interesting than simply tagging the banner “beautiful” on to it.  Take music for example.            No one can really (yet) explain how music affects us the way it does or even what it means to say that it affects us.  We know it uses a language in the form of notes, rhythm, patterns, etc.  There is a craft to it and that can be conveyed, but that tells us very little for no one can tell us exactly what happens to us when we listen to a piece of music.  What makes it go from just noise in our brains to music?  (And there are those rare people with a certain kind of neurological damage to the brain that allows them to hear only the sounds and never the music; they remain mystified that people are responding to the clanging and clatter.)            Nor can anyone really explain exactly the language that music uses.  How exactly does a piece of music convey, for example, sadness?  Some know-it-alls would ‘explain’ that that happens when the piece is in a minor key or when a mournful chord is struck.  But that’s not an explanation, that’s just of description; that’s saying nothing more than saying it’s sad.  They’ve just substituted the word “minor key” for the word “sad”.            The question is how is it sad to us?  What language is that – that minor key – that means sadness to us?  How does a minor key match those chemicals that surge through our brain when we are sad because a loved one died or left us?   Or more pertinently, how does the minor cause those chemicals to surge through our brain – the same chemicals that surged through our brain when our loved one died or left us?”</image:caption>
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      <image:title>Works - Flatus Vocis I (interior)</image:title>
      <image:caption>Flatus Vocis I 2006-8 oil, wood, paper, hinge 8” x 12” x 2”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1631120297097-EXPSNWWGT3RDKSOAJMAP/CogitoBoxFlatusVocis%28II%2918%2522x12%2522x2%2522+2006-08.jpg</image:loc>
      <image:title>Works - Flatus Vocis II</image:title>
      <image:caption>Flatus Vocis II 2006-8 oil, wood, paper, hinge 18” x 12” x 2”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1631120317286-8RWID6CSXE8RN4UYUD6B/insideCogitoBoxFlatusVocis%28II%2918%2522x12%2522x2%2522+2006-08.jpg</image:loc>
      <image:title>Works - Flatus Vocis II (interior)</image:title>
      <image:caption>Flatus Vocis II 2006-8 oil, wood, paper, hinge 18” x 12” x 2” TEXT: METAPHYSICS + SOUNDS = MUSIC            “The discipline of aesthetics has traditionally been involved in answering such questions as “What is beauty?”  But is beauty synonymous with art?  Not at all.   Indeed, some art expresses beauty (think of all the nudes – but maybe that’s not beauty per se,  just desire and sexuality; how to separate them is another matter), but other art (sometimes even the same work of art) expresses horror, boredom, transcendence, violence, repetition, instability, confusion, tenderness, brutality, etc., etc., etc. How can this multitude of meaning all be swallowed up by something as generalized and vague as “beauty”?            When we look at a work of art and say “Oh, that’s beautiful” do we mean the same thing as when we look at a handsome young man and say “Oh, he’s beautiful”?  Or maybe when we use that adverb with art it is a substitute for “astounding” or something like that.  It could be a mere place-holder that stands for an aesthetic experience that pushes one into a space where one hadn’t previously inhabited: a new moment that, in its unfamiliarity, is astounding.  And we use the word “beautiful” because we are awed and we don’t know how to put it into words.            Words mean different things in different contexts and we mustn’t assume synonymy when there is none.            So, it is easy to see that equating art with beauty is just the bland platitude of the fake philosopher.  No work got done with that grandiose yet vacuous pronouncement; it is a claim fit more for a politician than for a thinker.            And we should challenge ourselves to greater and more rigorous heights.  For example, we should face the following difficult fact.  How art comes to translate meaning from the inert object to the viewer is much more complex and interesting than simply tagging the banner “beautiful” on to it.  Take music for example.            No one can really (yet) explain how music affects us the way it does or even what it means to say that it affects us.  We know it uses a language in the form of notes, rhythm, patterns, etc.  There is a craft to it and that can be conveyed, but that tells us very little for no one can tell us exactly what happens to us when we listen to a piece of music.  What makes it go from just noise in our brains to music?  (And there are those rare people with a certain kind of neurological damage to the brain that allows them to hear only the sounds and never the music; they remain mystified that people are responding to the clanging and clatter.)            Nor can anyone really explain exactly the language that music uses.  How exactly does a piece of music convey, for example, sadness?  Some know-it-alls would ‘explain’ that that happens when the piece is in a minor key or when a mournful chord is struck.  But that’s not an explanation, that’s just of description; that’s saying nothing more than saying it’s sad.  They’ve just substituted the word “minor key” for the word “sad”.            The question is how is it sad to us?  What language is that – that minor key – that means sadness to us?  How does a minor key match those chemicals that surge through our brain when we are sad because a loved one died or left us?   Or more pertinently, how does the minor cause those chemicals to surge through our brain – the same chemicals that surged through our brain when our loved one died or left us? So, it is easy to see that equating art with beauty is just the bland platitude of the fake philosopher.  No work got done with that grandiose yet vacuous pronouncement; it is a claim fit more for a politician than for a thinker.              And we should challenge ourselves to greater and more rigorous heights.  For example, we should face the following difficult fact.  How art comes to translate meaning from the inert object to the viewer is much more complex and interesting than simply tagging the banner “beautiful” on to it.  Take music for example.                 No one can really (yet) explain how music affects us the way it does or even what it means to say that it affects us.  We know it uses a language in the form of notes, rhythm, patterns, etc.  There is a craft to it and that can be conveyed, but that tells us very little for no one can tell us exactly what happens to us when we listen to a piece of music.  What makes it go from just noise in our brains to music?  (And there are those rare people with a certain kind of neurological damage to the brain that allows them to hear only the sounds and never the music; they remain mystified that people are responding to the clanging and clatter.)              Nor can anyone really explain exactly the language that music uses.  How exactly does a piece of music convey, for example, sadness?  Some know-it-alls would ‘explain’ that that happens when the piece is in a minor key or when a mournful chord is struck.  But that’s not an explanation, that’s just of description; that’s saying nothing more than saying it’s sad.  They’ve just substituted the word “minor key” for the word “sad”.             The question is how is it sad to us?  What language is that – that minor key – that means sadness to us?  How does a minor key match those chemicals that surge through our brain when we are sad because a loved one died or left us?   Or more pertinently, how does the minor cause those chemicals to surge through our brain – the same chemicals that surged through our brain when our loved one died or left us?              That’s the question that deserves a causal explanation, but we don’t have one.  Why do humans feel a particular way when they hear minor keys?  Or why another thing when sharply dissonant notes are played?  Why is it that the “sad” music makes us re-connect to other brain states that we call “sad”?  Why does a sad piece of music get called “sad” just like the death of a loved one is called “sad”?  What do these two things – sad music and a sad event – have in common?  Why are our brain states in those moments so similar?  What is the minor key doing to us?             The musicians in Giotto’s painting “Return of Mary and St. Joseph from the Temple” are playing something, but we don’t know what.  Minor key, major key; they are doing what musician always do: telling us what is.  And that’s what metaphysics is:  metaphysics answers the question, “what is there in the world?”  When we look out at the world what is that world composed of?  Is it just material things - matter – bits of physical things, or is it also mental – things that cannot be reduced (ever) to the physical?  Or is it the case that there is both, sitting side by side but never being fully acquainted? (Descartes, the confuser of all who followed).  Or, as the idealists claim, is there only the mental, with the physical existing only as a mere illusion – an ambition if ever there was one.“</image:caption>
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      <image:title>Works - Flatus Vocis II (interior)</image:title>
      <image:caption>Flatus Vocis II 2006-8 oil, wood, paper, hinge, hardware 18” x 12” x 2” in.</image:caption>
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      <image:title>Works - Identity and the Individuals</image:title>
      <image:caption>Identity and Individuals 2002-3 oil, wax, wood, paper, hinge, hardware 20 x 14 x 3 in.</image:caption>
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      <image:title>Works - Identity and the Individuals (interior)</image:title>
      <image:caption>Identity and the Individuals 2002-3 oil, wax, wood, paper, hinge, hardware 20 x 14 x 3 in. TEXT: “Identity.... “I” call myself “I” now in adulthood just like I called myself “I” in childhood.  Is it the same “I”?  The nature of change.  Common sense tells us that some things change while others stay the same.  Out language seems to belie this.  When we say that “it” changes, we seem to be saying that there are some features that are shifting and moving and being transformed, but that there is still an “it” – “it” has got to exist in a continuing and permanent state in spite of some of its characteristics that have not stayed or we couldn’t say “it” changed.  We’d say “it” disappeared.   But is philosophy responsible for giving some account of our common-sense view?  What if the common sense view is just wrong?  Those romantics, Zeno and Parmenides, along with the father figure Plato, wanted to tell us something like, “you know, honey, the world is more stable than it looks, and there really is something that remains unchanged.  In fact, it is the thing that remains unchanged that is the only thing that is real.”  (But Zeno had some great paradoxes.) Heraclitus just said forgitabbout it, nothing stays the same.  It’s all in a flux.  Stick your foot in the river, take it out, put it in again, and you know what?  It’s a different river the second time.  That water is not the same as the first water, and just because you use the same word for both “river” – doesn’t mean it is the same.  Don’t be shtoopid.   If there are two red spots that look the same are they one spot repeated twice or are they two different spots? Time is the medium that confuses us.  When we experience something through time and we see it in an uninterrupted fashion, we call it the same object.  If the man behind the curtain flashes one red dot, then very, very quickly drops that and picks up another one and flashes that one, and continues until he has flashed all ten that he had in his hand, we would say that a red dot – one red dot – was flashed over and over again.  Time leads us, says David Hume, to this “fiction” of identity.  We think it’s the same river.   I think it is still “I”.  The “I” when I was a baby is still there in the “I” that is an adult.  But where is that I?  It’s not found in my physical self, for that is different in most ways, though one could say my basic body type, gender, and race stay the same.  The “I” is certainly not in any idea, for all my ideas have come and gone in intervening years.  Perhaps it’s in some stable personality type?  Maybe the “I” of my childhood still thinks in the same patterns and with the same motives as the “I” of my childhood.  If we call it a sameness of identity, the “sameness” is one of rough similarity – we just blur that over into identity.  Maybe that’s why philosophy owes no obligation to common sense.  Common sense is just sloppy.   The wonderful philosopher of mathematics, Gottlob Frege, asked “Is sameness a relation?” and if it is a relation is it “A relation between objects or between the names or signs of objects?”  Wisely, he concluded that it was a relation between the signs.  We utter sentences.  We use words.   Meaning is ambiguous and a distinction must be made between the reference of something and its sense – its connotation. There is the sentence which is uttered or written, and accompanying that is the mental idea.  One is physical and the other mental.  But thirdly, there is the proposition that the sentence expresses, which proposition is the content of the mental act and is an abstract object.   As he states, “The thought, in itself immaterial, clothes itself in the material garment of a sentence and thereby becomes comprehensible to us.  We say a sentence expresses a thought.”   So where is the identity?  Between the signs.  So the sign for me when I was a child – the word “I” – refers to the same thing as the sign I use for me an adult, e.g. also the word “I”.  Are those two “I’s” referring to the same thing?  Where’s Heraclitus when you need him...in Brooklyn?”</image:caption>
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      <image:title>Works - Picasso's Abuse</image:title>
      <image:caption>Picasso’s Abuse 2002 oil, wax, wood, paper, hinge, 20 x 14 x 2 in.</image:caption>
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      <image:title>Works - Picasso's Abuse (interior)</image:title>
      <image:caption>TEXT: “The Madonna appears endlessly in Western art: patient, implacable, accepting of her fate. She is not only invariably very white but she is psychologically without fear or horror at what she has witnessed or knows she will witness; she is almost empty of human emotions. To what does she refer? We can discuss her uses (abuses) as perfect femininity, but that is limited. There are greater and more pressing concerns. In order to understand how aesthetics can be viewed through an analysis of referencing, it is necessary to first review the traditional usage of the term ‘expression’. The term has been used in various ways, ranging from Kant’s in distinguishing aesthetics from morals, where art is the free creation of beauty for beauty’s sake, to Croce’s idealist use in which he argued that the raw sense-data of subjective experience are ‘intuited’ by the artist who then ‘expresses’ it in a work of art, to even being used by the pragmatist John Dewey when he employed the term as that which is identical with art when art is in the service of conveying the experience of life. While these disparate uses of the term ‘expression’ vary according to their roles within the larger context of each philosopher’s theory, what they each have in common is what I will call the broad definition of ‘expression’: one which refers to the role of emotions and their transmittal through the medium of art. But even the most broadly construed notion of ‘expression’, such as the one I have just cited, shows its independence from the world of empirical fact and verificationist truth, and is thus most readily employed by idealists, for it is they who are likely to define expression as a mental state distinct from and more elemental than matter. For even using the broad definition, emotion is identified with the immaterial - a thing that replicates itself across the broad participating spectrum of artwork, artist, and viewer. Certainly, to any empiricist, this transmittal is suspect; hence the empiricist’s unbridgeable gap between the cognizing subject and the non-cognizing object. But for someone who identifies him or herself as a coherentist and nominalist, e.g. who is averse to positing non-extensionalist subjective and mental experience, any insinuation of the foundation of emotion in universal ideas would be rejected. This broad definition of expression with its reliance on transcendent emotion becomes not only inexplicable but also mystically evanescent and vague. The obvious questions for someone of non-idealist leanings trying to answer the question “to what does the Madonna refer?” would have to find the notion of expression in less transcendent “metaphysical” terms and more in the pragmatic, quasi-political account that can be empirically verified and pointed to. When examining what the Madonna expresses, the questions ‘exactly what is it?’ and ‘exactly where is it?’ are questions that cannot be answered by intentional accounts, i.e. accounts that give explanations in terms of beliefs about the intentional objects of nonexistent entities. They could, though, some argue, be answered within a general semantic account of aesthetics as is understood through an account of reference. Hence, Nelson Goodman’s famous retort, whereby he reframes the question as: “When is art”, wherein the latter is answerable in the framework of linguistic analysis, i.e. it is art when it successfully refers. But to what does the Madonna refer? What does she express? It is undoubtedly emotion, or the lack thereof. And some account must be given of emotion. In the example of the Madonna, she is clearly without resistance to her fate nor does she seem to have any particular reaction to it. And it is a traumatic fate. She is to see her son, whom she recognizes as the son of God, and whom she knows not to be a mere mortal, crucified on a cross. This is not a fast die: the pain from the wounds where a victim was nailed would be excruciating, to which was added the pulling weight of his own body. The wound would be constantly ripping wider and more open. Even in cases where the victim was tied, the pull on the joints must have been blindingly painful. But death would not come quickly from those kinds of wounds. It would be days in coming. Not only does she see this, but she recognizes the faces in the crowd who have cheered it on or merely allowed it to continue. And her son does not succumb to hatred and anger; Nietzsche, that anti-religious crusader, expressed it best: Is it surprising that she is portrayed as enviably in control? Is that what she expresses? It is what we cannot say, at least very well, and yet we know quite deeply. That is why it is art. This ‘bringer of glad tidings’ died as he lived, as he taught – not to ‘redeem mankind’ but to demonstrate how one ought to live.  What he bequeathed to mankind is his practice: his bearing before the judges, before the guards, before the accusers and every kind of calumny and mockery – his bearing on the Cross. He does not resist, he does not defend his rights, he takes no steps to avert the worst that can happen to him – more, he provokes it... And he entreats, he suffers, he loves with those, in those who are doing evil to him.  His words to the thief on the Cross contain the whole Evangel.  ‘That was verily a divine man, a child of God!’ – says the thief.  ‘If thou feelest this’ – answers the redeemer – thou art in Paradise, thou art a child of God.’ Not to defend oneself, not to grow angry, not to make responsible... But not to resist even the evil man – to love him...”  Friedrich Nietzsche, The Anti-Christ. Trans. R.J. Hollingdale.  London &amp; New York: Penguin Books, 1990.  Italics in original.</image:caption>
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      <image:title>Works - The Platonist</image:title>
      <image:caption>The Platonist 2002-3 oil, wax, wood, paper, hinge, hardware 20 x 14 x 3 in.</image:caption>
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      <image:caption>The Platonist 2002-3 oil, wax, wood, paper, hinge, hardware 20 x 14 x 3 in. TEXT: “1.1 Generality               Generality is arguably an essential feature of our experience of particular objects. The fact that a general, apparently stable term such as ‘red’ exhibits itself as varyingly as a red shoe, a red car, a red flower, a red suit, etc., gives rise to the question regarding the ontological character of the general term “red” and in what way it is different from the objects to which it is applied.  Since this generality is reflected in both thought and language, we must ask how the mental concepts reflecting this generality are formed, and how is it that we come by these general concepts when the experiences from which they are formed are only particular. Let us take as an aesthetic example, the concept “The Beautiful”.  We experience diverse particular things as beautiful, e.g., “the boy is beautiful”, or “the flower is beautiful”, or “the car is beautiful”.  In ways the realist must make clear, the attribute or quality called “beauty” has successfully been attributed to these different objects, in seemingly the same way that the color red had been attributed to them in the prior example. The general attribute “beautiful”, like the general attribute “red”, is commonly contrasted with the numerically unique and spatially discreet particulars or objects to which it is said to apply. 1.2  Universals: The Realists/Platonists Those who find this linguistic distinction between the general and the particular reflective of the ontological facts of the world identify these generalities as universals, and give them the status of mind-independent entities, so that, even if there were no cognizing minds to perceive the general in the particular, the realist would say these universals would still exist.   Thus the common attribute “man” is a single reality that is instantiated in both Socrates and in my father, and in all other men. It is the universal in all the particulars.   And while that entity called “man” is included in every particular judgment where upon we have seen a particular male, it is not from ordinary sense experience by which we learn of its existence.   For the realist who argues for universals, we are aware of universals not by sense itself but by reason - through the process of recognizing that the same ‘red’ which is being applied to the object “car”, is identical with the “red” which is being applied to the object “flower”. The universals are a type of entity, e.g., “the one”, which can simultaneously manifest itself in different instances of the other class of entity, e.g., the particulars – “the many”.  Given that there are two very different kinds of entities, then, which make up the composition of the world - on this view - it is the realist, having structured this view, who takes the existence of universals to be true, for if all the individual objects called by the same name, for example, ‘red’, had nothing in common but being called ‘red’, no reason could be given why just they and no other objects had that name.   In other words, in the absence of universals as an explanation, no reason could be given for deciding whether or not to include an object in the category of things for which the attribute red applies.”</image:caption>
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      <image:title>Works - The One &amp;amp; the Many</image:title>
      <image:caption>TheOne and the Many 2002 oil, wax, wood, paper, hinge, hardware 20 x 14 x 2 in.</image:caption>
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      <image:caption>TEXT: 1.3  Particulars: The Nominalists The nominalist, on the other hand, argues that to ask for an account of how it is that we get general terms which are distinct from individual terms, is to presuppose the existence of that very thing, e.g., universals, which one is trying to prove.   The nominalist argues that two things are similar by reason of each individual in itself, not because there is some common nature which is instantiated in both.   It is a distinction between two terms of language, not between things denoted by the terms in the statements.  For the realists to claim that universals exist, but do not exist in a place or time, is to make the notion of “existence” inexplicable and mysterious.   To say “the universal exists”, and “the particular exists”, is to use the word “exist” in two different and mutually exclusive ways. The nominalist refuses to construe abstract terms as names of entities distinct from the individual things. The so-called universals are terms or signs standing for or referring to individual objects and sets of objects, but they themselves cannot be said to exist as mind-independent entities. Therefore, to summarize, the first problem with universals for the nominalist is that no sense can be made of what exactly these universals are; their existence can’t be accounted for in the way that something is normally said to exist in space and time.   Secondly, the exact way that they come to participate in the separate entity of the participating particular is likewise inexplicable, the account usually remaining on the metaphorical level with the use of words such as ‘instantiating’, ‘inhering in’, ‘partaking in’, etc.   None of these terms are descriptions of the mechanism of the relationship between the two different ontological entities; they are not explanations, but merely attempts at analogies. Generality is, therefore, for the nominalist, not an ontological distinction between two different levels of reality.   While there are predicates that are general terms, they are not common natures that are then individuated.   Particulars are just particulars.   The problem is a logical one of showing how general terms used in propositions refer to individuals signified by them, and that the general terms do not refer to independent entities that are general. How is it, then, that the nominalist explains the generality of ‘red’ across the individual objects of ‘red shoe’, ‘red car’, ‘red flower’, etc.?   The answer to this is often given in the domain of epistemology, where the question is re-framed as:  how is it that we are able to know diverse instances of red (or any other attribute) objects?   An epistemological answer to that question is generally found in an empiricist account of knowledge acquisition, so that sense perception gives rise to memory, and memory conditions affect subsequent perceptions, so that the current perceptions are not only perceptions but they are also recognized as similar to past perceptions.   Given this view, a kind of resemblance theory usually accompanies the nominalist account.   An empiricist’s view of knowledge acquisition fits nicely with the nominalist’s commitment to a tidy ontology.</image:caption>
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      <image:caption>The One and the Many 2002 oil, wax, wood, paper, hinge, hardware 20 x 14 x 2 in.</image:caption>
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      <image:caption>“2 Red” (Part of “Art Cards”) 2008 Oil on canvas 3’ x 5’.</image:caption>
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      <image:caption>“2 Black” (Part of “Art Cards”). 2008 Oil on canvas 3’ x 5’</image:caption>
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      <image:caption>Empiricism/The A Priori 2006 Oil on canvas 7'x5'</image:caption>
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      <image:caption>Empiricism/The A Priori 2006 Oil on canvas 7'x5'</image:caption>
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      <image:caption>Empiricism/The A Priori 2006 Oil on canvas 7'x5'</image:caption>
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      <image:title>Works - Three</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1709566627180-GB9YKMNZFJQMYRQ9ARL3/%E2%80%9CPlato%E2%80%99s%E2%80%A6%E2%80%9D+Oil+on+canvas+with+wooden+panel.+++7%E2%80%99+x+5%E2%80%99.++2008..jpg</image:loc>
      <image:title>Works - Plato’s…</image:title>
      <image:caption>“Plato’s…” 2008 Oil on canvas with wooden panel 7’ x 5’.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1709568173162-UCS3PD99VKS9FT6F1U0N/SchemataImplementation+5%27x5%27+2007-8.jpg</image:loc>
      <image:title>Works - SchemataImplementation</image:title>
      <image:caption>SchemataImplementation 2007 oil on cave 5'x5'</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/ec09d9e8-c6af-4f5f-b8b2-923fa3193696/GiottoOriginaryImage.jpg</image:loc>
      <image:title>Works - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655407201544-BMW84QHRQJTTD0FRSLQE/NGCol1Row1.jpg</image:loc>
      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655407484687-HM4969M54JGI6G771H9L/NGCol3Row1.jpg</image:loc>
      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655407490727-RWGRGJFGHIFO60SX22MO/NGCol3Row3.jpg</image:loc>
      <image:title>Works</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655407503940-6YBW0WO5VXVO3HXQR747/NGCol3Row4.jpg</image:loc>
      <image:title>Works</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655407495691-5UIO3UHDKYJZK5SEPH5B/NGCol3Row5.jpg</image:loc>
      <image:title>Works</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655407501206-8H22XSC5SQUZS8IC4NQO/NGCol3Row6.jpeg</image:loc>
      <image:title>Works</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655407503641-W7QELEB4ROY3UJWCG18K/NGCol3Row7.jpeg</image:loc>
      <image:title>Works</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655407506970-3GPDEBXAHYJYQGH3ZVK5/NGCol3Row8.jpg</image:loc>
      <image:title>Works</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655407883692-30WZZLBKOBSFRUE2FYSN/Col6Row1.jpg</image:loc>
      <image:title>Works</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655407874329-7N9S9OPM0S1VSN9MV91W/Col6Row2.jpg</image:loc>
      <image:title>Works</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655407879607-9ZLXX4TX3X4V03HRLOK0/Col6Row3.jpg</image:loc>
      <image:title>Works</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655407899528-E0U35IM1Q5D3WE7PIAZR/Col6Row4.jpg</image:loc>
      <image:title>Works</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655407887050-XLE8CTDHQQ7M8XAYDH7X/Col6Row5.jpg</image:loc>
      <image:title>Works</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655407890492-R7UV2ENP2YJIJ4V57Z54/Col6Row6.jpg</image:loc>
      <image:title>Works</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655407910987-ZFXGL2Y4LBDOXL7MWNUX/Col6Row7.jpg</image:loc>
      <image:title>Works</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655407904959-ISY4ROLUDMVO83DU725Y/Col6Row8.jpg</image:loc>
      <image:title>Works</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655409314705-RQOJWWFPJ7Y606COTRRO/Anger.jpg</image:loc>
      <image:title>Works - Women Censored: Anger</image:title>
      <image:caption>Dena Shottenkirk Women Censored: Anger. 2013, 2021 oil on wood, hinge, paper various dimensions in three parts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655409335689-171WDWPZOO911JVBXQCM/Anger+%28Right+Panel+detail%29.jpg</image:loc>
      <image:title>Works - Women Censored: Anger (detail)</image:title>
      <image:caption>Dena Shottenkirk Censorship Against Women: Anger. 2013, 2021 oil on wood, hinge, paper various dimensions in three parts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655409345170-HGPQ49J2M04IAWWR157B/Anger+%28left+panel+opened+detail%29.jpg</image:loc>
      <image:title>Works - Women Censored: Anger (detail)</image:title>
      <image:caption>Dena Shottenkikrk Censorship (Against Women: Anger) 2013, 2021 detail left panel, opened</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/4d612a86-0f6e-4b1f-ad4d-beeac4d82edb/DestructionOfTheArtifacts.jpg</image:loc>
      <image:title>Works - Make it stand out</image:title>
      <image:caption>Dena Shottenkirk Destruction of the Artifacts: Homage to the Bamiyan Buddhas (2013-14) oil on canvas, , 60 in. x 72 in. x 2 1/4 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655410337498-R7J0GXUXNO2KCZK8J8SB/Lolita.jpg</image:loc>
      <image:title>Works - Women Censored: Lolita</image:title>
      <image:caption>Dena Shottenkirk Women Censored: Lolita. 2013, 2021 oil on board and canvas, hinge, handle, paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655410857549-ZMLSG5Q8QSA2AZE1NOGA/Lolita+%28Right+panel+detail%29.jpg</image:loc>
      <image:title>Works - Women Censored: Lolita (detail)</image:title>
      <image:caption>Dena Shottenkirk Censorship Against Women: Lolita. 2013, 2021 (detail, right panel)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655410985186-8JVPLSABD0SIFH2GQ9UV/Lolita+%28Left+panel+opened+detail%29.jpg</image:loc>
      <image:title>Works - Women Censored: Lolita (detail)</image:title>
      <image:caption>Dena Shottenkirk Women Censored: Lolita. 2013, 2021 oil on canvas, board, hinge, paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655411131764-WWOJHPY5B6A41OWLLOZC/Pensiveness.jpg</image:loc>
      <image:title>Works - Women Censored: Pensiveness</image:title>
      <image:caption>Dena Shottenkirk Women Censored: Pensiveness. 2013 &amp; 2021 each panel 16” x 13”, box 8”x12”x6”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655411151542-1J1QMH4V3PIAMRSW19IX/Pensiveness+%28left+panel+opened%29.jpg</image:loc>
      <image:title>Works - Women Censored: Pensiveness (detail)</image:title>
      <image:caption>Dena Shottenkirk Women Censored: Pensiveness. 2013, 2022 oil on canvas and panel, paper, hinge</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655411154326-3CGZ4LHTHETJ700U28TW/Pensiveness+%28right+panel+detail%29.jpg</image:loc>
      <image:title>Works - Women Censored: Pensiveness</image:title>
      <image:caption>Dena Shottenkirk Women Censored: Pensiveness. 2013, 2022 oil on board and canvas, hinge, paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655414718183-5SXZJL2U3M0P4EU5U0WF/NeutralMonism2.jpg</image:loc>
      <image:title>Works - Neutral Monism</image:title>
      <image:caption>Dena Shottenkirk Neutral Monism, 2018 oil on canvas, paper, wood, mixed media, various dimensions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655414948998-G1UDQ16Q5CZSQZI6YSBO/NeutralMonism+%26+Visitor.jpg</image:loc>
      <image:title>Works - Neutral Monism (installation shot)</image:title>
      <image:caption>Dena Shottenkirk Neutral Monism, 2018 oil on canvas, paper, wood, mixed media, various d</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655414365943-GX19ZAJDJCAN2JPPEMKX/%232DETAIL.jpg</image:loc>
      <image:title>Works - Neutral Monism (detail)</image:title>
      <image:caption>Dena Shottenkirk Neutral Monism, 2018 oil on canvas, paper, wood, mixed media, various d</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655414795550-VXJZA6CGLE9NT8J07SAZ/%232DETAIL.jpg</image:loc>
      <image:title>Works - Neutral Monism (detail)</image:title>
      <image:caption>Dena Shottenkirk Neutral Monism, 2018 oil on canvas, paper, wood, mixed media, various dimensions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655414808593-LSBCLUEF7CZGN7NNWCNP/%232DETAILNeutralMonism.jpg</image:loc>
      <image:title>Works - Neutral Monism (detail)</image:title>
      <image:caption>Dena Shottenkirk Neutral Monism, 2018 oil on canvas, paper, wood, mixed media, various dimensions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655414944488-O9SLDHN8CC1D6LE1H6BE/NeutralMonism+Slip+of+Paper.jpg</image:loc>
      <image:title>Works</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655414815802-QO474VF9FMWSW10K7GMQ/NeutralMonism.jpg</image:loc>
      <image:title>Works - Neutral Monism (detail)</image:title>
      <image:caption>Dena Shottenkirk Neutral Monism, 2018 oil on canvas, paper, wood, mixed media, various dimensions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655415469262-LVM9EG8GB6ZQCD8V6TIG/BlackManAsMadonna.jpg</image:loc>
      <image:title>Works - Madonna as a Black Man (installation view)</image:title>
      <image:caption>Dena Shottenkirk Madonna As a Black Man. 2019 oil on canvas in 3 parts, each 17 in. x 17 in. x 2.5 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655415561368-PG1S3AXPNOA9DZ28RXGD/%237DETAILBlackManAsMadonna.jpg</image:loc>
      <image:title>Works - Madonna as a Black Man (detail)</image:title>
      <image:caption>Dena Shottenkirk Madonna As a Black Man. 2019 oil on canvas in 3 parts, each 17 in. x 17 in. x 2.5 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655415547694-G6SJ5MHCRA7L5R60XVW2/%236DETAILBlackManAsMadonna.jpg</image:loc>
      <image:title>Works - Madonna as a Black Man (detail)</image:title>
      <image:caption>Dena Shottenkirk Madonna As a Black Man. 2019 oil on canvas in 3 parts, each 17 in. x 17 in. x 2.5 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655415631958-ELHNU0FOOBNZWYMB1P0E/DETAILBlackManAsMadonna.jpg</image:loc>
      <image:title>Works - Panel 1</image:title>
      <image:caption>Dena Shottenkirk Madonna As a Black Man. 2019 oil on canvas in 3 parts, each 17 in. x 17 in. x 2.5 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655415488512-8MIK8Q1M94324WUGCCML/%232DETAILBlackManAsMadonna.jpg</image:loc>
      <image:title>Works - Panel 2</image:title>
      <image:caption>Dena Shottenkirk Madonna As a Black Man. 2019 oil on canvas in 3 parts, each 17 in. x 17 in. x 2.5 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655415504376-GFM04ZW4PV8Z06G83MVQ/%233DETAILBlackManAsMadonna.jpg</image:loc>
      <image:title>Works - Panel 3</image:title>
      <image:caption>Dena Shottenkirk Madonna As a Black Man. 2019 oil on canvas in 3 parts, each 17 in. x 17 in. x 2.5 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655416152893-ZB4P2TE2QGUMJ5DHFAG8/Body%3AMind.jpg</image:loc>
      <image:title>Works - MIND/BODY</image:title>
      <image:caption>Dena Shottenkirk MIND/BODY, 2019-20 oil on panel and canvas with hinge and handle 6’ x 3’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655416176157-LZOEW71X2NY6WO7D6WSV/DETAILMindBody2.jpg</image:loc>
      <image:title>Works - MIND/BODY (detail)</image:title>
      <image:caption>Dena Shottenkirk MIND/BODY, 2019-20 oil on panel and canvas with hinge and handle 6’ x 3’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655416187098-2AFHLON9AC6YDJQTQU8O/DSC03314.jpg</image:loc>
      <image:title>Works - MIND/BODY</image:title>
      <image:caption>Dena Shottenkirk MIND/BODY, 2019-20 oil on panel and canvas with hinge and handle 6’ x 3’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655416198751-PF3A51ZCHOXVBBDX1APR/DSC03315.jpg</image:loc>
      <image:title>Works - MIND/BODY</image:title>
      <image:caption>Dena Shottenkirk MIND/BODY, 2019-20 oil on panel and canvas with hinge and handle 6’ x 3’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655416484065-LKVSNN9Z0OPVISKO7LDG/ALA_7274B.jpg</image:loc>
      <image:title>Works - MIND/BODY (verso)</image:title>
      <image:caption>Dena Shottenkirk MIND/BODY, 2019-20 oil on panel and canvas with hinge and handle 6’ x 3’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655416216366-1UVZ0YJFQNYO6YKN0V35/DSC03390.jpg</image:loc>
      <image:title>Works - MIND/BODY (detail)</image:title>
      <image:caption>Dena Shottenkirk MIND/BODY, 2019-20 oil on panel and canvas with hinge and handle 6’ x 3’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655416750462-QE7CWH4BL0OJMNTSAJT3/Art+as+Epistemology1+-+Hobbes+%26+Conflict.png</image:loc>
      <image:title>Works - Art is a Kind of Epistemology: Hobbes</image:title>
      <image:caption>Dena Shottenkirk Art is a Kind of Epistemology: Hobbes. 2020 oil on canvas, video component 36”x36”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655416766517-65BG8ZL6RPZLR7V5I1HM/DETAIL+WORDS+Conversing+with+Hobbes.jpg</image:loc>
      <image:title>Works - Art as a Kind of Epistemology: Hobbes (detail)</image:title>
      <image:caption>Dena Shottenkirk Art is a Kind of Epistemology: Hobbes. 2020 oil on canvas, video component 36”x36”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655416774574-ZCRMZVZB3ITKQBTD2O0A/DETAIL+PUPPET+Conversing+with+Hobbes.jpg</image:loc>
      <image:title>Works - Art is a Kind of Epistemology: Hobbes (detail)</image:title>
      <image:caption>Dena Shottenkirk Art is a Kind of Epistemology: Hobbes. 2020 oil on canvas, video component 36”x36”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655416997092-X17BRMQSL0YZOT5SYUQO/Art+as+Epistemology2+-+Hildegarde+%26+Transcendence.png</image:loc>
      <image:title>Works - Art is a Kind of Epistemology: Hildegarde von Bingen</image:title>
      <image:caption>Dena Shottenkirk Art is a Kind of Epistemology: Hildegarde von Bingen (2020) oil on canvas with video component 36”x36”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655417109862-Y58BOVZRD4WDLJP2RVMI/DETAIL+PUPPET+Conversing+with+Hildegaard+von+Bingen.jpg</image:loc>
      <image:title>Works - Art is a Kind of Epistemology: Hildegarde von Bingen (detail)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655417795431-5B9D1J748P0PDY469F9N/Art+as+Epistemology3+-+Peirce+%26+Analysis.png</image:loc>
      <image:title>Works - Art is a Kind of Epistemology: Charles Sanders Pierce</image:title>
      <image:caption>Dena Shottenkirk Art is a Kind of Epistemology: Charles Sanders Pierce (2020) oil on canvas with video component 36” x 36”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655417809395-AYQ61OFZD02XTM60F93C/DETAIL+WORDS+Conversing+with+C.S.+Peirce.jpg</image:loc>
      <image:title>Works - Art is a Kind of Epistemology: Charles Sanders Pierce (detail)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655417812179-2AJAEDUD9V6WI7BU59SU/DETAIL+PUPPET+Conversing+with+C.S.+Peirce.jpg</image:loc>
      <image:title>Works - Art is a Kind of Epistemology: Charles Sanders Pierce (detail)</image:title>
      <image:caption>Dena Shottenkirk Art is a Kind of Epistemology: Charles Sanders Pierce (2020) oil on canvas with video component 36” x 36”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655417389911-X3O4MM5ZZ0JP44T0OHWS/Art+as+Epistemology4+-+Langer+%26+Emotion.png</image:loc>
      <image:title>Works - Art is a Kind of Epistemology: Susanne Langer</image:title>
      <image:caption>Dena Shottenkirk Art is a Kind of Epistemology: Susanne Langer (2020) oil on canvas with video component 36” x 36”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655417550063-MU0YE9VQ3SIZ8KVOAGA5/DETAIL+FOR+VIDEO+Art+as+Epistemology4+-+Langer+%26+Emotion.jpg</image:loc>
      <image:title>Works - Art is a Kind of Epistemology: Susanne Langer  (detail)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655417437019-PJ40PTK7S0WGFNBY3OCA/DETAILConversing+with+Susanne+Langer.JPG</image:loc>
      <image:title>Works - Art is a Kind of Epistemology: Susanne Langer (detail)</image:title>
      <image:caption>Dena Shottenkirk Art is a Kind of Epistemology: Susanne Langer oil on canvas with video component 36” x 36”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655417557320-P9E8JQ3THETP572YW868/DETAIL+Conversing+with+Susanne+Langer.jpg</image:loc>
      <image:title>Works - Art is a Kind of Epistemology: Susanne Langer  (detail)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655418365751-5U0DNN92H52IVHU2R6PB/Gist+Perception+w%3A+Philosophy+Box.jpg</image:loc>
      <image:title>Works - Perception: Gist</image:title>
      <image:caption>Dena Shottenkirk Perception: Gist (2021), oil on canvas 24”x24”, box with paper slips 6”x12”x 8”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655418383078-B9PMNENYA999K1WDSPIZ/Edit+Perception+w%3A+Philosophy+Box.jpg</image:loc>
      <image:title>Works - Perception: Edit</image:title>
      <image:caption>Dena Shottenkirk Perception: Edit, 2021 oil on canvas 24”x24”, box with paper slips 6”x12”x 8 QR code</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1655418499788-PMGK5OMLEPHSUL6VO3L4/Perception+SEE.jpg</image:loc>
      <image:title>Works - Perception: See</image:title>
      <image:caption>Dena Shottenkirk Perception: See (2021) oil on canvas 24”x24”, box with paper slips 6”x12”x 8” , QR code</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1708380062422-BIUKPD3RGYZYPXRRMJ25/talkpopc94.jpg</image:loc>
      <image:title>Works</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1708380020262-E1TAEBO8VA03A96YMX84/talkpopc93.jpg</image:loc>
      <image:title>Works</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/582cc65d03596eb90c763bb8/1708379987503-R3YG64L2C6BHOYCFOPOL/talkpopc92.jpg</image:loc>
      <image:title>Works</image:title>
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    <image:image>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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      <image:title>Works</image:title>
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  <url>
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  <url>
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  <url>
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      <image:title>landing page - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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